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10.16.2011

Rhetoric SOS

This first one I have linked to a bunch. BYU did a great job with their rhetoric pages. 


This second one is the Writing Center from Texas A & M and they offer some good advice for writing in general and specifically for writing a rhetorical analysis, though what they offer could easily fall into the 5 paragraph essay precipice if you aren't careful to sidestep it.

These two links are from the same university and offer a great example of rhetorical analysis and some tips for conducting a rhetorical analysis as well as helpful writing tips in general. The one thing I will say though, is that the example essay commits a few egregious style errors. I gagged at least three times. Still though, the analysis is good.

And then there's this one that even cites Bitzer!


More (pilfered) food for thought:

A complete rhetorical analysis requires the researcher to move beyond identifying and labeling in that creating an inventory of the parts of a text represents only the starting point of the analyst's work.

From the earliest examples of rhetorical analysis to the present, this analytical work has involved the analyst in interpreting the meaning of these textual components--both in isolation and in combination--for the person (or people) experiencing the text. This highly interpretive aspect of rhetorical analysis requires the analyst to address the effects of the different identified textual elements on the perception of the person experiencing the text.

So, for example, the analyst might say that the presence of feature x will condition the reception of the text in a particular way. Most texts, of course, include multiple features, so this analytical work involves addressing the cumulative effects of the selected combination of features in the text."

(Mark Zachary, "Rhetorical Analysis." The Handbook of Business Discourse, ed. by Francesca Bargiela-Chiappini. Edinburgh Univ. Press, 2009)



EXAMPLE
Starbucks not just as an institution or as a set of verbal discourses or even advertising but as a material and physical site is deeply rhetorical. . . . Starbucks weaves us directly into the cultural conditions of which it is constitutive. The color of the logo, the performative practices of ordering, making and drinking the coffee, the conversations around the tables, and the whole host of other materialities and performances of/in Starbucks are at once the rhetorical claims and the enactment of the rhetorical action urged. In short, Starbucks draws together the tripartite relationships among place, body and subjectivity. As a material/rhetorical place, Starbucks addresses and is the very site of a comforting and discomforting negotiation of these relationships.

(Greg Dickinson, "Joe's Rhetoric: Finding Authenticity at Starbucks." Rhetoric Society Quarterly, Autumn 2002)


These are resources for you. Explanations. Go-to guides. Use them. Use them, I say!

10.12.2011

PSAT

Here's the Video Clip that is linked to in the PSAT make up document on my website for you all. I hear it may not be working. Hopefully this will.

10.11.2011

Everyone Hates Comic Sans

Font is not just something AP Comp Teachers get to be snobbish about, it's actually something lots of real people think about. And guess what? They all hate comic sans too. Maybe we're all just font snobs and that's okay. In fact, you should be too! (bandwagon fallacy)

To continue your indoctrination, please watch THIS, read THIS and maybe also THIS.

If you feel so inclined, I would suggest taking up the Comic Sans game as illustrated below. In fact, I might just base your entire grade on your participation. (argumentum ad baculum or "appeal to force" also just plain old manipulation)

Um.

There's objectionable material in the cartoon and I just noticed it now. At 4:30pm. Sorry if you were offended. Er, this is a college course, get over it! Except that I feel bad...

So I censored it.



Because if you don't play the game and -- oh the horror! --  use Comic Sans then this will happen:

 
(And you thought the font assignment/discussion was silly! Ha!)
Die Comic Sans, die.